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详细内容

云南之天 大邱之风—中韩艺术家联展 Sky of Yunnan, Wind of Daegu—-Sino-Korea group exhibition

主     :云南艺术学院(昆明)

庆北大学(韩国大邱)

协办(支持):袁晓岑艺术园
开幕式: 2012年6月3号日
地     点:袁晓岑艺术园

展览总监:  高翔、
策展人:高翔、申暎浩
参展艺术家(按姓氏中文拼音顺序排序):

韩国:高宽皓、李基七、李娅恩、林赟洛、柳宰夏、朴南姬、申暎浩

中国:曹悦、高翔、和丽斌、李季、王煜、杨衞民、张鸣
展期及地点:

韩国:2012年05月02日——05月05日,大邱

中国: 2012年06月03日——06月07日 ,昆明

由云南艺术学院、韩国庆北大学美术学院共同主办,袁晓岑艺术园协办,高翔、申暎浩担任展览总监并共同策划的“云南之天 大邱之风—中韩艺术家联展”展览于2012年6月3日至6月7日在袁晓岑美术馆展出。

本次展览是云南艺术学院和韩国庆北大学美术学科校际间的合作交流项目,参与展览的14位艺术家相互到对方所在的大学造访、办展览,以多样性的方式做艺术话语的交流。

前言:

   找寻另一本“<<步天歌>>”   

中国最早研究星象的书籍叫<<步天歌>>,它以优美的七言诗句和精妙的绘画展现了灿烂的星空。这部文献于十世纪传入韩国,是该著述非常重要而古老的版本之一,近代由中国学者在韩抄录回国。在中国失传的古老文本,又在韩国找回,这并非特例。

去年夏天,与阔别一年的韩国同学申暎浩在京相聚,他提议我所在的云南艺术学院和他执教的大邱市庆北大学做交流。经过双方共同努力,达成了校际间的合作协定,云艺美术学院的老师于今年五月先访韩国,接着庆大美术学科的老师六月来昆明。在韩期间,庆大师生对礼仪的遵从让来自孔孟之乡的中国人感慨良多。凡获悉此次交流的该校师生遇到我们,都弯腰鞠躬;当正式约见时,韩方相关部门的各级人员必定到场,茶具精美,茶水飘香,主人向每一位到访的艺术家亲切询问。而庆大美术馆和大邱市立美术馆在空间设计上的考究,在布展上的专业与敬业,更让云南同行侧目。

七位庆大的教授说话不多,却待人热忱,属于外冷内热型。他们的艺术也是表面冷峻。多数作品综合使用手绘、喷绘、电脑合成、影像和现成品等新媒介,色彩单纯至黑白,造型简约到几何,具有一定的设计意味,关注对艺术本体做形而上的思索,是东方禅宗美学和西方极简艺术的结合。在日益全球化的今天,采用新兴科技的视觉艺术,更有当代的特征和较强的视觉冲击力。但这只是对其作品表面的解读,其实他们是在运用当代国际化的新兴艺术媒介,搜寻其国民的民族特性,辨析其文化传统同其他国家的差异。

云艺七位老师虽然性格外向,说笑幽默,多数作品的主题却沉重而现实,对当今环境恶化的直接嘲讽、对东西方文化冲突的诙谐思考、对当代人生存状态的内心忧虑、以及让传统绘画走向现当代的执著探索。有趣的是,面对复杂的社会主题,出场的主角却是动物、老屋和旷野。这种超现实和象征的手法让观者获得了想象的空间。在艺术媒介的选择上,主要运用手绘技艺,兼有摄影和电脑合成的手段。对绘画性的强调,是其中几位艺术家共同的特点,其手绘的能力也受到庆大师生的羡慕。

对于云艺的老师来说,此次短暂的造访和交流,不仅有双方艺术作品的对话,而且韩国师生对礼、仪、信、义等传统价值观的注重,对其传统文化和美学在当代的实际运用,或许正是我们想要找寻的另一本”<<步天歌>>”。

 

高翔

2012年5月12日于昆明

 

Sky of Yunnan, Wind of Daegu—-Sino-Korea group exhibition

Host: Yunnan Academy Art (Kunming)

Kyungpook National University

Co-host: Yuan Xiaocen Art Garden

Opening: 03/06/1012

Location: Yuan Xiaocen Art Garden

Director: Xiang Gao

Curator: Xiang Gao, Yinghao Shen

Artists: (Ordered by the last name in Chinese Pinyin)

From Korea: Kuanhao Gao, Jiqi Li, Yaen Li, Yunluo Lin, Zaixia Liu, Nanji Pu, Yinhao Shen

From China: Yue Cao, Xiang Gao, Libin He, Ji Li, Yu Wang, Weimin Yang, Ming Zhang.

Period and Sites:

Korea: Daegu  02/05/2012—05/05/2012

China: Kunming 03/06/2012—07/06/2012

 

Co-exhibited by Yunnan Art Academy, Kyungpook National University and Yuan Xiaocen art garden, curators Xiang Gao and Yinhao shen jointly planed the ‘Sky of Yunnan, Wind of Daegu’ —-Sino-Korea group exhibition, from June 3, 2012 to June 7 in Yuan Xiaocen Art Museum.

The exhibition is an inter-school cooperation projects between Yunnan art Academy and fine arts discipline of Kyungpook University. 14 artists went to participate in the exhibition and visited each place, used diverse ways for art communication.

 Preface: Looking for another book of <Bu Tian Song>

The earliest study of astrology book in China is called <Bu Tian Song>. It contains graceful seven-character verses and delicate paintings to show the bright starry sky. This document was introduced into Korea in the tenth century, which has became very important and one of the oldest version, Chinese scholars transcribed and brought it back in modern time. This is not an exception when the lost Chinese ancient texts were found back from South Korea back again.

Last summer, I met Korean students Yinghao Shen’ in Beijing after a year of separation. He proposed that the Yunnan art academy I taught in and Kyungpook National University he taught in should have an exchange. Through joint efforts from both sides, two schools achieved an intercollegiate cooperation agreement, Teachers from Yunnan Art Academy would visit Korea in May this year and then Teachers from Kyungpook National University would visit Kunming in June. During the period of visiting Korea, the way their teachers and students followed etiquettes has touched everyone who is from the hometown of Confucius. When they greeted us, everyone bowed down; at formal appointment, all levels of staffs of the relevant departments must be present; they always prepare exquisite tea sets and tea; the host’s kind greeting would reach each one of us. Moreover, the well designed space and Professional and dedicated arrangement of the exhibition in Kyungpook’s Art Gallery and the Daegu City Art Gallery, has impressed us greatly.

Seven professors of theirs didn’t talk much, but they treated people sincerely, I think they are the type just cold on the appearance. Their arts have the same characteristics. Most works were built upon comprehensive use of hand-painting, air brushing, computer synthesis, new media such as images and ready-made art, color is mainly pure black and white, simple geometric structure, have a certain taste of design in them, attention to do metaphysical thinking on objects, is the combination of Oriental Zen aesthetics and western minimalist art. In this globalizing society, visual art that adopted new technology has more contemporary characteristics and stronger visual impact. But this is only the interpretation of surface, in fact they are using international new art media to search for its national ethnic characteristics, and analyze the differences between their traditional culture and other countries.

Seven teachers from Yunnan Art Academy although are outgoing, funny and humorous, most of their works are heavy and the theme are focus on reality. They have direct satire to today’s environmental deterioration, humorous ways of thinking about eastern and western cultural conflict, inner anxiety about current living condition, and persistent exploration of turning traditional painting to more modern and contemporary styles. It is interesting to note that regardless the theme is complex social phenomena; the main roles in their works are animals, houses and the wilderness. This kind of surreal and symbolic techniques led viewers to wider imagination. On the choice of artistic media, the main technique is hand-painting, together with both photography and computer generating skills. Emphasizing on hand-painting skill is the common feature in several artists, and also is admired by Korean teachers and students.

For teachers from Yunnan Art Academy, this short visit and exchange, not only was a dialogue of art works, but also a live class of respecting and believing in traditional values, rituals, etiquettes and righteousness, such as paying attention to the practical applications of the traditional culture and aesthetics in the contemporary society. These may just be the another book of < Bu Tian song > that we were looking for.

 

Xiang Gao

12/05/2013, in Kunming

 

现场图片:

“云南之天-大邱之风—中韩艺术家联展”第二回在中国昆明袁晓岑美术馆举行,图为开幕式现场,韩国艺术家申英浩介绍参展的韩国艺术家 “云南之天-大邱之风—中韩艺术家联展”第一回在韩国庆北大学校举行,参展艺术家合影 2“云南之天-大邱之风—中韩艺术家联展”第一回在韩国庆北大学校举行